Showing posts with label Sshhh. Show all posts
Showing posts with label Sshhh. Show all posts

25 September 2011

Reverberations: The Aesthetics, Affects and Politics of Noise

Edited by Drs Michael Goddard, Paul Hegarty and Benjamin Halligan is this groundbreaking collection that studies noise not merely as a sonic phenomenon but as an essential component of all communication and information systems. It's due for publication through Continuum next year and includes a chapter that I contributed based on my MA project. Despite what it says below, the title of the chapter has actually been changed to the simpler, perhaps more intriguing "Sshhh".

Description

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution.

This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all communication and information systems. The book opens with ideas of what noise is, and then works through ideas of how noise works in contemporary media, to conclude by showing potentials within noise for a continuing cultural renovation through experimentation. Considered in this way, noise is seen as an essential yet excluded element of contemporary culture that demands a rigorous engagement. Reverberations brings together a range of perspectives, case studies, critiques and suggestions as to how noise can mobilize thought and cultural activity through a heightening of critical creativity.Written by a strong, international line-up of scholars and artists, Reverberations looks to energize this field of study and initiate debates for years to come.


Table of Contents
The Philosophy of Noise

1. Paul Hegarty, ‘A Chronic Condition: Noise and Time’
2. Scott Wilson, ‘Amusia, Noise and the Drive’
3. Andrew McGettigan, ‘Noise, Affect and Experience’
4. Cecile Malaspina, ‘Simondon, Complexity and Organised Noise’

Media Ecologies of Noise

5. Dean Lockwood, ‘Mongrel Vibrations: H. P. Lovecraft’s Weird Ecology of Noise’
6. Khadijah White, ‘Considering Sound: Language, Meaning and the Construction of Noise’
7. José Castanheira, ‘The Matter of Numbers: Sound and the Experience of Noise in Analog and Digital Models’
8. Rosa Menkman, ‘From Artefact to Filter, or how Noise Artefacts have become Commodities’

Audiovisual Noise Aesthetics

9. Laura Wilson, ‘Physical Spectatorship: Noise and Rape in Irreversible’
10. Robert Walker, ‘Cinematic Tinnitus’
11. Benjamin Halligan, ‘Noise for the Failing Image’
12. Daniel Cookney, ‘Sshhh: A Visual Exploration of Relative Silence/Noise’
13. Felicity Colman, ‘Sound manifesto: Lee Renaldo’s Notes for Robert Smithson’
14. Rob Gawthrop, ‘Thunder and Lightning: Noise and the avant-garde’

Noise Ethics and Politics

15. Mattin, ‘Anti-Self: Noise and the Destruction of Managerial Logic’
16. Marie Thompson and Clara Latham, ‘Exploitation or Emancipation? The Affect and Ethics of Noise’
17. Saeed Hydaralli, ‘What is Urban Noise? An Inquiry into its Formal Properties’
18. Bruce Russell, ‘Exploding the atmosphere: Realising the revolutionary potential of “the last street song” ’

Bibliography
Index

17 December 2010

Central Station book

It looks really nice, doesn't it?


16 December 2010

On FormFiftyFive

I have found the Glasgow's Central Station site/community hugely supportive over the past year or so. Given the standard of material on there, I've additionally been honoured to have had some work from my portfolio selected on its homepage and then was even more excited when there was talk of contributing to a book that they were producing [I'll update on that in a separate post].

What I wasn't aware of - something that explains the large number of views of an image from the Sshhh project in recent times - was that the site has also been publicising my work alongside that of some majorly talented artists. This nicely prompted an appearance on the wonderful FormFiftyFive for which I'm very grateful.


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